Studiolada

The ‘Kunanyi’ series are cartographic hymns composed of maps hidden within the paintings - a chorus of the Artist’s Cottage, Kelly's Steps, my ‘mountain’s conversation’ and the clandestine path to tragic poetic chaos and inevitability.

Just as Lutruwita Tasmania opened borders, health guidelines mandated that my residency at The Artist’s Cottage at Salamanca Arts Centre was in precious solitude; amidst echoes of Nipaluna Hobart’s annual festivities, yacht races and as the city called in 2022 with fireworks observed from the back steps of the cottage; an extraordinary surreal experience.

I was present as the the children from the tragic Devonport jumping-castle disaster were medi-helicoptered overhead one by one; bells tolled for funerals but also weddings and celebrations; as mobs of ‘anger’ passed-by shouting "FREEDOM!” ironically, unaware that I, quarantined in my little paradise cottage felt totally free in my solitude. It was the most surreal of times.

Punctuated by the strum of my guitar, the ping of my phone, visits from bumble-bees and birds, hours on hold with TASHealth - Kunanyi and I built a deep conversation from the back steps, her mists replied to my questions.

In May 2024, I returned to The Artist’s Cottage for Act II; a chapter of exploration with freedom of movement. I am currently completing the third residency in this trio, this time focusing on connection, collaboration, and community. I have been in constant dialogue with my mountain companion, continuing this evolving series of works in Nipaluna Hobart.

I like it here.

Kunyani is Muwinina country, and I acknowledge the Palawa people of Lutruwita as the traditional owners of this land I am so privileged to wander on and work on as an artist and a maker. Always was, always will be.